Admittedly, “déjà view” is not an uncommon sensation in the work of the South Korean auteur Hong Sang-soo, whose many, many pictures - he churns them out at a rate of one or two, sometimes three, per year - increasingly feel like refinements of an endlessly malleable formula. ![]() ![]() A curious feeling settled over me just a few minutes into “Grass”: I could have sworn I’d seen this movie before.
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